The Tradition · Ming Dynasty · Hongwu
1368 – 1398
The first Ming kiln. Imperial oversight established. Blue-and-white reorganised.
Historical Context
The Hongwu Emperor — Zhu Yuanzhang — founded the Ming dynasty in 1368 after overthrowing the Mongol Yuan. His approach to porcelain production reflected the broader project of reassertion: reinstating Han governance structures, reducing foreign influence, and establishing direct imperial control over the Jingdezhen kilns.
Under Hongwu, cobalt blue production continued but the visual language shifted markedly. The dense, bold compositions of late Yuan gave way to a more restrained palette and controlled decorative register. Red underglaze — copper-red — was also refined during this period, offering an alternative to blue-and-white that carried distinct imperial symbolism.
Hongwu marks the structural reorganisation of kiln governance that made the successive brilliance of Yongle and Xuande possible. It is a period of consolidation rather than innovation, but without it the Ming imperial ceramic tradition could not have emerged.
Material Development
Transitional cobalt — shift from Yuan Sumali toward domestic sources, muted tone
Copper-red underglaze — technically demanding, associated with Hongwu imperial production
Restrained decoration — floral and botanical motifs replacing Yuan narrative density
Heavier wall construction — substantial forms suited to official rather than export use
Representative Forms
Period Position
Hongwu is the necessary foundation of all that followed. Without the kiln reorganisation and governance structures it established, the technical achievements of Yongle and Xuande would not have been possible. It is a period studied as origin rather than peak.